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First band rehearsal. Catch a glimpse of the sounds of the Grand Guignol, led by our Music Director Patrick Colvin 🔪🔪
Preparing for the publicity photo shoot, costumes by Caitlin Quinn and Casper Pichotta 🔪🔪
Paper tech, getting all the lighting cues in (get ready for the horror moments…) 🔪🔪
“The sort of place that no one would suspect, the strangest showhouse in the world.” Our crew is hard at work building the gothic-style set for MAXA 🛠
“Sometimes I think that those poor witches written into history’s pages Had the same strange satisfaction like me.” We can’t wait to share our music video with @salemhorror fest 🔪🩸🖤
“The Ensemble — the pulse of the narrative. They often interweave between spectator and participant, all the while fully embodying both the joy and devastation of the macabre.” Caitlin Quinn’s rendering of the hardest working
“Life is a dance of shadows…” Lighting Designer Andrew Norfolk is hard at work in the light lab testing various fantastical and macabre looks for MAXA 🔪🔪
Shadow play 🔦
“Tourists are accosted to buy photographs obscene By little girls just shy of the age of fourteen And at the highest point, the towers of the Church of the Blessed Heart, They shine Montmartre, She is mine.” The Parisians watch on as Old
“Welcome one and all to the Grand Guignol where nightmares and fantasies are interwoven as one!” UMD Designer Caitlin Quinn captures Master of Ceremonies Camille in their most ostentatious display 🔪🔪
@umnduluth presents MAXA, The Maddest Woman in the World, October 14-24. Tickets go on sale next week 🔪🔪
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